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자원봉사 수리 행사를 다룬 특집 기사로, 이런 모임이 물건을 고치는 것 이상으로 무엇을 이루는지 묻습니다.
More than a mended toaster
On the first Saturday of every month, the parish hall in Ashby Quay smells of solder, tea and warm dust. Tables are pushed together under the strip lights, and at each one a volunteer is bent over somebody else's broken possession: a toaster that no longer pops, a lamp with a flickering temper, a cardigan whose elbow has finally surrendered. Nobody pays for the work, though a jar by the door collects coins for the kettle fund.
The idea behind such gatherings, usually known as repair cafés, began in the Netherlands in the late 2000s and has since been taken up in many countries. The format varies little. Visitors bring something that has stopped working; a volunteer, who may be a retired engineer, a seamstress or merely a stubborn amateur, examines it alongside the owner; and, whenever possible, the two of them mend it together. The insistence on "together" is deliberate. Organisers say they have no wish to run a free repair shop, which would invite people to treat the volunteers as a service rather than as neighbours.
Kiran Doshi, who spent thirty years as an electrician and now runs the Ashby Quay table, is unsentimental about the results. "About two in three things leave working," he says, a ratio that, he concedes, depends heavily on what is brought through the door. Simple faults, such as a loose wire or a worn belt, are quickly dealt with. Devices sealed with glue or unusual screws are another matter, and he is wary of promising anything about them. "We can often find out what's wrong," he says. "Whether anyone is allowed to put it right is a different question."
Environmental arguments are usually the first offered in favour of the movement, and they are not unreasonable: manufacturing a new appliance consumes materials and energy, so every year added to the life of an existing one is, in principle, a small saving. Yet the volunteers I spoke to were curiously reluctant to rest their case on this. Few could say with confidence how much waste their town had avoided, and several suspected that the figure, if anyone calculated it, would be modest. What they spoke about, with far greater animation, was something harder to measure.
"People arrive apologising," said Gwen Okafor, who mends clothes. "They say they're hopeless, that they've never been able to do anything with their hands. By the end of the afternoon they're holding the needle themselves." Some researchers who study such events suggest something similar: the sense of competence that a successful repair brings can outlast the repair itself, and, perhaps more surprisingly, the conversations that happen over the workbench often matter as much as the object on it. In a town where, by general admission, neighbours have grown used to nodding rather than talking, this counts for a good deal.
Not everything can be rescued, of course, and the hall's back table is piled with the casualties: a radio beyond saving, a vacuum cleaner whose motor has given out. But the owners of these, too, tend to leave in decent spirits, having at least understood what went wrong. It is a small consolation, perhaps, yet in an economy that encourages us to regard our possessions as disposable and our ignorance of them as normal, it is hardly a trivial one.
글 이해하기
글을 읽고 가장 알맞은 답을 고르세요.
- What is the main point of the article?
- Why do organisers insist that owner and volunteer mend things "together"?
- How would you describe Kiran Doshi's attitude to the results?
- What does "Whether anyone is allowed to put it right" imply?
- What does the writer suggest about the environmental case for repair cafés?
- In the fifth paragraph, "this" in "this counts for a good deal" refers to
- Why does the writer quote Gwen Okafor?
- What is the writer's attitude in the final paragraph?
어휘와 세부 내용
가장 알맞은 답을 고르거나, 글에서 빠진 단어를 입력하세요.
- "Unsentimental" describes someone who
- "Wary of" in the third paragraph means
- "Animation" in the fourth paragraph means
- "Casualties" in the final paragraph refers to the items that
- "Disposable" in the final paragraph describes possessions that we
- According to Kiran, about ___ in three things leave working.
- Repair cafés began in the ___.
- The repair café in Ashby Quay meets in the parish ___.
정답
글 이해하기
- b) Repair cafés are more valuable for what they do for people than for the objects they mend.글쓴이는 자원봉사자들의 가장 강력한 논거가 살려 낸 물건의 수보다 자신감과 대화에 관한 것임을 보여 줍니다.
- d) They do not want volunteers to be treated simply as a service.주최 측은 무료 수리점을 원하지 않는데, 그러면 사람들이 자원봉사자를 “as a service rather than as neighbours”(이웃이 아니라 서비스 제공자로) 대하게 되기 때문입니다.
- a) Realistic and cautious그는 현실적인 비율을 말하면서도 가져오는 물건에 달려 있다고 하고, 밀봉된 기기에 대해서는 무엇도 약속하기를 조심스러워합니다.
- b) Some products are made in ways that discourage repair.접착제나 특수한 나사로 밀봉된 기기는 일부 제품이 설계 단계부터 수리를 어렵게 만든다는 것을 보여 줍니다.
- a) It is plausible, but the volunteers do not rely on it and the effect may be small.그 논거는 “are not unreasonable”(터무니없지 않다)지만 자원봉사자들은 그 논거에만 의존하기를 꺼리며, 수치는 아마 “modest”(크지 않은 수준)일 것입니다.
- c) the contact and conversation at the workbench“This”는 작업대 위에서 오가는 대화를 가리키며, 이웃끼리 거의 대화하지 않는 마을에서 이 대화가 중요합니다.
- b) To show how the events can build people's confidence그녀의 말은 사람들이 자신감 없이 와서 바늘을 스스로 쓸 수 있게 되어 떠나는 모습을 보여 줍니다.
- c) Quietly positive, because even a small gain has real value글쓴이는 무엇이 잘못되었는지 이해하는 것을 “a small consolation”(작은 위안)이지만 “hardly a trivial one”(결코 사소하지 않은 위안)이라고 부릅니다.
어휘와 세부 내용
- a) is practical and not ruled by emotionUnsentimental은 감정적이기보다 현실적이라는 뜻입니다.
- b) careful aboutTo be wary of promising anything은 약속을 지키지 못할 수도 있어서 조심스럽다는 뜻입니다.
- c) liveliness여기서 Animation은 말할 때의 활기와 에너지를 뜻합니다.
- a) could not be repaired이 문맥에서 casualties는 살리지 못한 고장 난 물건들입니다.
- b) treat as not worth keepingDisposable은 버리기 위해 만들어졌거나 그렇게 취급된다는 뜻입니다.
- two / 2Kiran은 “About two in three things leave working”(세 개 중 두 개 정도는 작동하는 상태로 나갑니다)이라고 말합니다.
- netherlands / the netherlands / holland기사는 그 아이디어가 “began in the Netherlands in the late 2000s”(2000년대 후반 네덜란드에서 시작되었다)고 말합니다.
- hall첫 문장은 행사가 “the parish hall in Ashby Quay”(Ashby Quay의 교구 회관)에서 열린다고 밝힙니다.