Joy English · Livello C1 · Società e stile di vitajoy-english.com

La tirannia dell'itinerario perfetto

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Una rubrica di opinione che mette in discussione l'abitudine di pianificare ogni ora di una vacanza e si chiede che cosa ci costi davvero pianificare.

The tyranny of the perfect itinerary

Last summer I met a man on a ferry who had, by his own account, planned every hour of a ten-day trip to a coastal town. He showed me the spreadsheet. It had colour-coded columns for sights, meals and "buffer time", and a cell at the bottom, shaded green, that read "Spontaneity: Thursday afternoon". I laughed, and then I stopped laughing, because I recognised the impulse. I have drawn up versions of that spreadsheet myself.

We have become, it seems, a generation of optimisers, and nowhere is the habit more visible than in the way we travel. Reviews, rankings and maps that compress whole cities into a list of "must-sees" promise to spare us the risk of a wasted afternoon. Seldom do they pause to ask what a wasted afternoon might have been for. The wrong turning, the closed museum, the café chosen only because it was raining: these are not failures of planning but, very often, the raw material of the stories we later enjoy retelling.

Defenders of the carefully planned trip are quick to point out that time and money are finite, and they are right. Nobody should be condemned to a week of aimless queuing out of some romantic loyalty to chance. Were I to arrive in an unfamiliar city with a single day to spare, I would certainly want some guidance. My objection is not to preparation as such but to the assumption, rarely spoken yet widely shared, that a holiday is a product whose quality can be maximised, like the output of a factory.

The trouble with that assumption is that it quietly changes what we are doing. If the aim is to extract the greatest possible value from every hour, then every hour becomes a test, and we are bound to be found wanting. On another trip, the woman beside me spent the whole of a sunset adjusting her camera, and then complained that the photograph did not capture it. Had she simply looked, she might have felt less short-changed. Research on memory suggests, incidentally, that we judge a past experience largely by its most intense moment and its ending rather than by its average, which ought to make us wary of the idea that every moment must be equally rewarding.

None of this is an argument for chaos. The most contented travellers I know plan loosely: they fix the hard points, such as the train, the bed and the one concert they refuse to miss, and leave the rest deliberately slack. They treat the gaps not as dead time to be filled but as the part of the journey that belongs to them. It is a modest discipline, and perhaps a harder one than it sounds, since it asks us to tolerate the faint anxiety of not knowing what comes next.

As for the man on the ferry, I hope Thursday afternoon went well. I suspect, though, that the truest spontaneity of his trip occurred somewhere no cell could have predicted: in the minutes when the ferry was delayed and he, for once, had nothing scheduled to do about it.

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  1. Why does the writer begin with the story of the man on the ferry?
    • a) To criticise a stranger for being foolish
    • b) To introduce the theme of over-planning through a vivid example
    • c) To explain how to build a useful spreadsheet
    • d) To show that ferries are the best way to travel
  2. What does "I recognised the impulse" suggest about the writer?
    • a) The writer has met the man before.
    • b) The writer admires people who plan carefully.
    • c) The writer is amused but also shares the tendency.
    • d) The writer thinks the spreadsheet was well designed.
  3. In the second paragraph, "they" in "Seldom do they pause" refers to
    • a) the people who travel
    • b) reviews, rankings and maps
    • c) the wrong turnings and closed museums
    • d) the writer's friends
  4. How does the writer treat those who defend planned trips?
    • a) As people whose main point has some truth in it
    • b) As people who misunderstand what travel means
    • c) As people who are afraid of risk
    • d) As people whose opinions are not worth considering
  5. What is the writer's real objection?
    • a) People spend too much money on holidays.
    • b) Guidebooks are often inaccurate.
    • c) Travellers should never prepare in advance.
    • d) People treat a holiday as a product to be maximised.
  6. What does the story of the woman with the camera illustrate?
    • a) Photographs are always disappointing.
    • b) Chasing a perfect record can spoil the experience itself.
    • c) Sunsets are overrated.
    • d) Travellers should buy better equipment.
  7. According to the writer, how do contented travellers plan?
    • a) They fix the essentials and leave the rest open.
    • b) They avoid making any bookings.
    • c) They plan every hour but change it often.
    • d) They let other people decide.
  8. What is the tone of the final paragraph?
    • a) bitter and critical
    • b) gently ironic and affectionate
    • c) nervous and uncertain
    • d) formal and detached

Vocabolario e dettagli

Scegli la risposta migliore, oppure scrivi la parola o le parole mancanti del testo.

  1. "Compress" in the second paragraph means
    • a) to make something fit into less space
    • b) to explain in great detail
    • c) to make more expensive
    • d) to separate into parts
  2. "Found wanting" in the fourth paragraph means judged to be
    • a) too expensive
    • b) not good enough
    • c) unusually lucky
    • d) fully satisfied
  3. "Short-changed" in the fourth paragraph suggests the woman felt
    • a) rushed
    • b) embarrassed
    • c) cheated of something she expected
    • d) relieved
  4. "Wary" in the fourth paragraph means
    • a) curious
    • b) confident
    • c) careful and doubtful
    • d) pleased
  5. "Slack" in the fifth paragraph describes parts of the trip that are
    • a) badly organised
    • b) left free and loosely arranged
    • c) carefully timed
    • d) too expensive
  6. The man's trip was planned for ___ days.
  7. In the spreadsheet, the cell reading "Spontaneity" was shaded ___.
  8. "The raw material of the stories we later enjoy retelling" means that mistakes
    • a) are always funny
    • b) can become the basis of good memories
    • c) should be edited out
    • d) usually spoil a trip

Soluzioni

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  1. b) To introduce the theme of over-planning through a vivid exampleL'aneddoto è un esempio vivace e un po' comico dell'abitudine di cui la rubrica parla in seguito. L'autore non prende in giro solo quell'uomo: "I have drawn up versions of that spreadsheet myself".
  2. c) The writer is amused but also shares the tendency.L'autore ride, poi smette di ridere e ammette di aver fatto fogli di calcolo simili, quindi la tendenza è condivisa.
  3. b) reviews, rankings and mapsIl soggetto della frase precedente è "reviews, rankings and maps", e sono loro che non pongono la domanda.
  4. a) As people whose main point has some truth in itL'autore dice che hanno ragione sul fatto che tempo e denaro sono limitati e che vorrebbe una guida in una città sconosciuta. Il disaccordo è più circoscritto.
  5. d) People treat a holiday as a product to be maximised.L'autore dice che l'obiezione è "not to preparation as such but to the assumption" che una vacanza sia un prodotto la cui qualità si possa massimizzare.
  6. b) Chasing a perfect record can spoil the experience itself.Ha passato il tramonto a sistemare la macchina fotografica, poi ha sentito che la fotografia non era all'altezza; l'autore suggerisce che semplicemente guardare l'avrebbe lasciata più felice.
  7. a) They fix the essentials and leave the rest open."Plan loosely": fissano i punti obbligati e lasciano il resto "deliberately slack".
  8. b) gently ironic and affectionateL'autore spera che l'uomo si sia goduto il giovedì pomeriggio, ma suggerisce che il momento migliore sia venuto dal ritardo imprevisto. Il tono è benevolo e di un umorismo lieve.

Vocabolario e dettagli

  1. a) to make something fit into less spaceTo compress whole cities into a list significa ridurle a un breve riassunto.
  2. b) not good enoughTo be found wanting significa essere giudicati inadeguati. Quando ogni ora è una prova, sentiamo di non superarla.
  3. c) cheated of something she expectedShort-changed significa ricevere meno di quanto si merita o ci si aspetta, come si sentiva lei riguardo alla sua fotografia.
  4. c) careful and doubtfulTo be wary of an idea significa essere prudenti nell'accettarla.
  5. b) left free and loosely arranged"Deliberately slack" descrive spazi lasciati vuoti di proposito.
  6. ten / 10La prima frase dice che il viaggio è durato "ten days".
  7. greenLa cella in fondo era "shaded green".
  8. b) can become the basis of good memoriesLa materia prima è ciò di cui qualcosa è fatto: le svolte sbagliate forniscono il materiale per le storie future.