C1 Lettura

C1Società e stile di vita25 min

La tirannia dell'itinerario perfetto

The tyranny of the perfect itinerary

Una rubrica di opinione che mette in discussione l'abitudine di pianificare ogni ora di una vacanza e si chiede che cosa ci costi davvero pianificare.

Prima di leggere

Le rubriche di opinione mescolano aneddoti personali e argomentazione, e la vera posizione dell'autore è spesso sottintesa più che dichiarata. Leggi questa rubrica sulle vacanze e decidi quanto l'autore sia davvero contrario alla pianificazione.

itinerarysostantivo
un piano dettagliato di un viaggio, con luoghi e orariOur itinerary included two nights in a mountain village.
impulsesostantivo
un desiderio improvviso e forte di fare qualcosaShe resisted the impulse to reply at once.
slackaggettivo
non stretto; qui, che lascia tempo o spazio liberoThe schedule was deliberately slack, with no fixed plans for Sunday.
waryaggettivo
prudente perché pensi che qualcosa possa essere pericoloso o sbagliatoI am wary of any offer that sounds too good to be true.
disciplinesostantivo
un modo di allenarsi a comportarsi in modo controllato e utileWriting every morning requires real discipline.

The tyranny of the perfect itinerary

Last summer I met a man on a ferry who had, by his own account, planned every hour of a ten-day trip to a coastal town. He showed me the spreadsheet. It had colour-coded columns for sights, meals and "buffer time", and a cell at the bottom, shaded green, that read "Spontaneity: Thursday afternoon". I laughed, and then I stopped laughing, because I recognised the impulse. I have drawn up versions of that spreadsheet myself.

We have become, it seems, a generation of optimisers, and nowhere is the habit more visible than in the way we travel. Reviews, rankings and maps that compress whole cities into a list of "must-sees" promise to spare us the risk of a wasted afternoon. Seldom do they pause to ask what a wasted afternoon might have been for. The wrong turning, the closed museum, the café chosen only because it was raining: these are not failures of planning but, very often, the raw material of the stories we later enjoy retelling.

Defenders of the carefully planned trip are quick to point out that time and money are finite, and they are right. Nobody should be condemned to a week of aimless queuing out of some romantic loyalty to chance. Were I to arrive in an unfamiliar city with a single day to spare, I would certainly want some guidance. My objection is not to preparation as such but to the assumption, rarely spoken yet widely shared, that a holiday is a product whose quality can be maximised, like the output of a factory.

The trouble with that assumption is that it quietly changes what we are doing. If the aim is to extract the greatest possible value from every hour, then every hour becomes a test, and we are bound to be found wanting. On another trip, the woman beside me spent the whole of a sunset adjusting her camera, and then complained that the photograph did not capture it. Had she simply looked, she might have felt less short-changed. Research on memory suggests, incidentally, that we judge a past experience largely by its most intense moment and its ending rather than by its average, which ought to make us wary of the idea that every moment must be equally rewarding.

None of this is an argument for chaos. The most contented travellers I know plan loosely: they fix the hard points, such as the train, the bed and the one concert they refuse to miss, and leave the rest deliberately slack. They treat the gaps not as dead time to be filled but as the part of the journey that belongs to them. It is a modest discipline, and perhaps a harder one than it sounds, since it asks us to tolerate the faint anxiety of not knowing what comes next.

As for the man on the ferry, I hope Thursday afternoon went well. I suspect, though, that the truest spontaneity of his trip occurred somewhere no cell could have predicted: in the minutes when the ferry was delayed and he, for once, had nothing scheduled to do about it.

Esercizio 1 di 2

Capire il testo

Leggi il testo. Scegli la risposta migliore.

  1. Why does the writer begin with the story of the man on the ferry?

  2. What does "I recognised the impulse" suggest about the writer?

  3. In the second paragraph, "they" in "Seldom do they pause" refers to

  4. How does the writer treat those who defend planned trips?

  5. What is the writer's real objection?

  6. What does the story of the woman with the camera illustrate?

  7. According to the writer, how do contented travellers plan?

  8. What is the tone of the final paragraph?

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Esercizio 2 di 2

Vocabolario e dettagli

Scegli la risposta migliore, oppure scrivi la parola o le parole mancanti del testo.

  1. "Compress" in the second paragraph means

  2. "Found wanting" in the fourth paragraph means judged to be

  3. "Short-changed" in the fourth paragraph suggests the woman felt

  4. "Wary" in the fourth paragraph means

  5. "Slack" in the fifth paragraph describes parts of the trip that are

  6. The man's trip was planned for days.

  7. In the spreadsheet, the cell reading "Spontaneity" was shaded .

  8. "The raw material of the stories we later enjoy retelling" means that mistakes

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Fonte

Lezione originale di Joy English.

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