Joy English · 레벨 C2 · 에세이와 의견joy-english.com
지도에 없는 시간을 예찬하며
이름:날짜:
내비게이션 앱과 주의력에 관한 성찰적 에세이입니다. 함축, 태도, 미묘한 의미 차이를 읽어 내는 연습을 합니다.
In praise of the unmapped hour
It is a curious feature of our age that we have acquired the means never to be lost and have, in the process, mislaid something we did not know we owned. The small blue dot that trembles reassuringly on a phone screen has abolished the old, faintly humiliating ritual of turning a map upside down on a pavement. Nobody laments the humiliation. What deserves a little more thought is what the ritual quietly supplied.
To be lost, in the strict sense, is not merely to lack information; it is to be forced into attention. A traveller who cannot say where she is must notice where she is: the colour of the shutters, the gradient of the street, the smell of bread drifting from a doorway that may or may not belong to a bakery. Orientation, in other words, used to be a by-product of vigilance. Now that it has been outsourced, vigilance has been outsourced with it, and we move through unfamiliar cities with our eyes on a screen, arriving punctually and remembering nothing.
Researchers who study spatial memory distinguish between two ways of knowing a place. One is the route: a chain of instructions, turn left at the fountain, then right, then straight on. The other is the survey, a mental map in which landmarks relate to one another regardless of the path taken. Routes are cheap to follow and cheaper to forget; surveys are costly to build but durable. Turn-by-turn guidance, by design, delivers the first and starves the second. It would be rash to claim that this alone makes us worse navigators, since the evidence is still accumulating and people differ enormously, but it would be equally rash to assume that a skill we never exercise remains in perfect order.
I do not propose a return to paper. I have met the person who insists on paper, and he is generally insufferable, given to sighing at junctions and describing his own sense of direction as though it were a minor talent for the cello. Nostalgia of that sort is merely vanity in walking boots. My suggestion is of a different order: that once in a while, deliberately, we should switch the device off and permit ourselves an unmapped hour.
The rules are simple. Choose a district you do not know, and a time of day when nothing depends on punctuality. Walk without a destination, but not without a thread: follow the downhill streets, or the tramlines, or the sound of a market. When you are lost, and you will be, a little, which is the point, resist the reflex to consult. Ask a stranger, if you must. Strangers, it turns out, are the original navigation technology, and they come with commentary included.
What one gains is difficult to quantify, and I am wary of those who promise otherwise. Some of it is plainly practical: a place walked without assistance sticks in the mind in a way that a place followed does not. Some of it is harder to name. There is a particular quality of alertness that arrives about twenty minutes into genuine uncertainty, when the anxiety has burned off and curiosity has not yet given way to irritation. It is not quite pleasure. It resembles the attentiveness of a child, for whom every doorway is still a question.
Naturally, there is a paradox in all this, and I would be a poor essayist if I pretended not to see it. To schedule an hour of spontaneity is to defeat it, rather as a surprise party loses something once the guest of honour has seen the invitation. I can only reply that most worthwhile habits begin as contrivances. Nobody is born wanting to read before sleep, or to walk to work; we arrange the conditions and wait for the wanting to follow.
So I shall continue to carry the phone. It is, after all, extremely useful on the evenings when I am tired, late, and lost in the unromantic way. But I have begun to keep a little ledger of the unmapped hours, and I note, with some surprise, that I can still recall the streets of each of them, whereas the destinations I reached by blue dot have already blurred into a single, efficient grey.
글 이해하기
글을 꼼꼼히 읽고 가장 알맞은 답을 고르세요. 일부 문제는 글에 명시된 내용이 아니라 글쓴이가 암시하는 내용을 묻습니다.
- What is the writer's main purpose in the essay?
- In the first paragraph, "mislaid something we did not know we owned" suggests that
- What does "Orientation... used to be a by-product of vigilance" mean?
- What is the writer's position on whether navigation apps damage our sense of direction?
- How does the writer regard the person who "insists on paper"?
- In paragraph 6, what does "It" refer to in "It is not quite pleasure"?
- Why does the writer describe his proposal as containing a "paradox"?
- What does "a single, efficient grey" suggest about the places he reached by following the blue dot?
단어와 세부 내용
문맥에서 가장 알맞은 의미를 고르거나, 글에서 빠진 단어를 입력하세요.
- In paragraph 4, "insufferable" most closely means
- In paragraph 3, "rash" means
- In paragraph 3, "starves the second" means that turn-by-turn guidance
- In paragraph 7, "contrivances" means things that are
- In paragraph 8, a "ledger" is
- In paragraph 3, the writer contrasts the route with the ___, a mental map in which landmarks relate to one another.
- Which comment best describes the writer's attitude to the old ritual of using a paper map in the street?
정답
글 이해하기
- a) To suggest, with some caution, that navigation technology has cost us a kind of attention, and to propose an occasional remedy글쓴이는 우려를 제기하고, 그것을 조심스럽게 완곡히 표현하며, 소박한 해법(지도에 없는 시간)을 제안합니다. 그는 종이 지도로의 회귀를 분명히 거부하고, 과학적 증거가 있다고 주장하지도 않습니다.
- c) we have lost a benefit without having noticed that we had it이 표현은 비유적입니다. 우리가 가졌다는 사실조차 깨닫지 못했던 소중한 것(주의력)을 잃는다는 뜻입니다.
- a) Knowing where you were came naturally from paying close attention to your surroundingsBy-product는 부수적인 결과입니다. 주된 활동은 주의를 기울이는 것이었고, 자신의 위치를 아는 것은 그에 따라온 것입니다.
- d) He thinks it plausible but unproven, and warns against both overstating and dismissing the idea그는 피해가 입증되었다고 주장하는 것을 “rash”(경솔)하다고 하고, 쓰지 않는 기술이 온전히 남아 있을 것이라고 가정하는 것도 “equally rash”(똑같이 경솔)하다고 합니다.
- b) With mocking impatience, as someone whose nostalgia is really a form of vanity“insufferable”이나 “merely vanity in walking boots” 같은 표현은 글쓴이가 이 사람을 부드럽지만 분명하게 조롱하고 있음을 보여 줍니다.
- d) The particular quality of alertness that comes with uncertainty문장은 아이의 주의력과 닮은 “particular quality of alertness”(특별한 성질의 기민함)를 계속 묘사합니다.
- b) Planning a time for spontaneity risks spoiling the spontaneity그는 그것을 미리 초대받아 망쳐 버린 깜짝 파티에 비유합니다. 계획되지 않은 것을 마련해 놓으면 그것이 망가져 버리는 것 같다는 것입니다.
- a) They have become hard to tell apart in his memory“Blurred”와 “grey”는 이런 목적지들이 하나의 잊히기 쉬운 인상으로 뒤섞였음을 암시하며, 생생한 지도 없는 시간들과 대조됩니다.
단어와 세부 내용
- c) unbearably annoyingInsufferable은 너무 짜증스러워서 다른 사람들이 거의 참을 수 없는 사람을 묘사합니다.
- a) hasty and unwiseRash claim은 충분한 생각이나 증거 없이 한 주장입니다.
- c) deprives survey knowledge of what it needs to developStarve는 비유적으로 쓰였습니다. 두 번째 종류의 지식은 자라는 데 필요한 것을 공급받지 못합니다.
- b) deliberately arranged rather than naturalContrivance는 인위적으로 마련해 놓은 것입니다. 글쓴이는 좋은 습관이 흔히 그렇게 시작된다고 말합니다.
- d) a record in which things are notedLedger는 기록을 적는 책으로, 여기서 글쓴이는 자신의 산책에 대한 개인적인 기록을 남깁니다.
- survey3단락은 survey를 랜드마크들이 서로 관련을 맺는 머릿속 지도로 정의합니다.
- b) He does not miss the embarrassment but values what it gave us“Nobody laments the humiliation”은 그가 그 민망함을 그리워하지 않음을 보여 주지만, 이어서 그것이 “quietly supplied”(조용히 제공해 준) 것의 가치를 인정합니다.