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地図のない時間への賛辞

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ナビアプリと注意力についての思索的なエッセイ。含意、態度、細かなニュアンスを読み取る練習をします。

In praise of the unmapped hour

It is a curious feature of our age that we have acquired the means never to be lost and have, in the process, mislaid something we did not know we owned. The small blue dot that trembles reassuringly on a phone screen has abolished the old, faintly humiliating ritual of turning a map upside down on a pavement. Nobody laments the humiliation. What deserves a little more thought is what the ritual quietly supplied.

To be lost, in the strict sense, is not merely to lack information; it is to be forced into attention. A traveller who cannot say where she is must notice where she is: the colour of the shutters, the gradient of the street, the smell of bread drifting from a doorway that may or may not belong to a bakery. Orientation, in other words, used to be a by-product of vigilance. Now that it has been outsourced, vigilance has been outsourced with it, and we move through unfamiliar cities with our eyes on a screen, arriving punctually and remembering nothing.

Researchers who study spatial memory distinguish between two ways of knowing a place. One is the route: a chain of instructions, turn left at the fountain, then right, then straight on. The other is the survey, a mental map in which landmarks relate to one another regardless of the path taken. Routes are cheap to follow and cheaper to forget; surveys are costly to build but durable. Turn-by-turn guidance, by design, delivers the first and starves the second. It would be rash to claim that this alone makes us worse navigators, since the evidence is still accumulating and people differ enormously, but it would be equally rash to assume that a skill we never exercise remains in perfect order.

I do not propose a return to paper. I have met the person who insists on paper, and he is generally insufferable, given to sighing at junctions and describing his own sense of direction as though it were a minor talent for the cello. Nostalgia of that sort is merely vanity in walking boots. My suggestion is of a different order: that once in a while, deliberately, we should switch the device off and permit ourselves an unmapped hour.

The rules are simple. Choose a district you do not know, and a time of day when nothing depends on punctuality. Walk without a destination, but not without a thread: follow the downhill streets, or the tramlines, or the sound of a market. When you are lost, and you will be, a little, which is the point, resist the reflex to consult. Ask a stranger, if you must. Strangers, it turns out, are the original navigation technology, and they come with commentary included.

What one gains is difficult to quantify, and I am wary of those who promise otherwise. Some of it is plainly practical: a place walked without assistance sticks in the mind in a way that a place followed does not. Some of it is harder to name. There is a particular quality of alertness that arrives about twenty minutes into genuine uncertainty, when the anxiety has burned off and curiosity has not yet given way to irritation. It is not quite pleasure. It resembles the attentiveness of a child, for whom every doorway is still a question.

Naturally, there is a paradox in all this, and I would be a poor essayist if I pretended not to see it. To schedule an hour of spontaneity is to defeat it, rather as a surprise party loses something once the guest of honour has seen the invitation. I can only reply that most worthwhile habits begin as contrivances. Nobody is born wanting to read before sleep, or to walk to work; we arrange the conditions and wait for the wanting to follow.

So I shall continue to carry the phone. It is, after all, extremely useful on the evenings when I am tired, late, and lost in the unromantic way. But I have begun to keep a little ledger of the unmapped hours, and I note, with some surprise, that I can still recall the streets of each of them, whereas the destinations I reached by blue dot have already blurred into a single, efficient grey.

文章を理解しましょう

本文をよく読み、最も適切な答えを選びましょう。問題の中には、述べられていることではなく、書き手が暗示していることを問うものがあります。

  1. What is the writer's main purpose in the essay?
    • a) To suggest, with some caution, that navigation technology has cost us a kind of attention, and to propose an occasional remedy
    • b) To prove scientifically that navigation apps make people worse at finding their way
    • c) To persuade readers to give up their phones and return to paper maps
    • d) To describe a journey on which he became hopelessly lost
  2. In the first paragraph, "mislaid something we did not know we owned" suggests that
    • a) people frequently leave their phones in public places
    • b) old maps contained information that new apps omit
    • c) we have lost a benefit without having noticed that we had it
    • d) modern travellers are careless about their belongings
  3. What does "Orientation... used to be a by-product of vigilance" mean?
    • a) Knowing where you were came naturally from paying close attention to your surroundings
    • b) Travellers were safer when they watched out for danger
    • c) Good orientation required expensive equipment
    • d) People who were watchful were always ahead of others on a journey
  4. What is the writer's position on whether navigation apps damage our sense of direction?
    • a) He is convinced that they do, and cites decisive evidence
    • b) He is certain that they make no difference
    • c) He considers the question too trivial to discuss
    • d) He thinks it plausible but unproven, and warns against both overstating and dismissing the idea
  5. How does the writer regard the person who "insists on paper"?
    • a) With admiration for his dedication to tradition
    • b) With mocking impatience, as someone whose nostalgia is really a form of vanity
    • c) With sympathy, because he is often unfairly mocked
    • d) With envy of his superior sense of direction
  6. In paragraph 6, what does "It" refer to in "It is not quite pleasure"?
    • a) The anxiety that has burned off
    • b) The practical benefit of remembering a place
    • c) The irritation that follows curiosity
    • d) The particular quality of alertness that comes with uncertainty
  7. Why does the writer describe his proposal as containing a "paradox"?
    • a) The proposal needs a phone in order to work
    • b) Planning a time for spontaneity risks spoiling the spontaneity
    • c) He recommends getting lost but also arriving on time
    • d) Strangers are both helpful and unreliable
  8. What does "a single, efficient grey" suggest about the places he reached by following the blue dot?
    • a) They have become hard to tell apart in his memory
    • b) They were unattractive and badly organised
    • c) They were reached more slowly than he expected
    • d) They looked identical in reality

単語と詳細

文脈に最も合う意味を選ぶか、本文から抜けている語を入力しましょう。

  1. In paragraph 4, "insufferable" most closely means
    • a) too unwell to travel
    • b) unable to feel pain
    • c) unbearably annoying
    • d) unusually modest
  2. In paragraph 3, "rash" means
    • a) hasty and unwise
    • b) sudden and loud
    • c) unusually brave
    • d) unpleasant to look at
  3. In paragraph 3, "starves the second" means that turn-by-turn guidance
    • a) makes people physically hungry
    • b) removes all knowledge of routes
    • c) deprives survey knowledge of what it needs to develop
    • d) forces people to study maps
  4. In paragraph 7, "contrivances" means things that are
    • a) entirely accidental
    • b) deliberately arranged rather than natural
    • c) inherited from earlier generations
    • d) dangerous to attempt
  5. In paragraph 8, a "ledger" is
    • a) a shelf for storing books
    • b) a type of mobile phone application
    • c) a small map of the town
    • d) a record in which things are noted
  6. In paragraph 3, the writer contrasts the route with the ___, a mental map in which landmarks relate to one another.
  7. Which comment best describes the writer's attitude to the old ritual of using a paper map in the street?
    • a) He misses it deeply and regrets its disappearance
    • b) He does not miss the embarrassment but values what it gave us
    • c) He thinks it was a pointless waste of time
    • d) He remembers it as the best part of travelling

解答

文章を理解しましょう

  1. a) To suggest, with some caution, that navigation technology has cost us a kind of attention, and to propose an occasional remedy書き手は懸念を示し、それを慎重にぼかしたうえで、控えめな対策(地図のない時間)を提案しています。紙の地図に戻ることははっきり否定しており、科学的な証明があるとも主張していません。
  2. c) we have lost a benefit without having noticed that we had itこの表現は比喩です。失われたのは、私たちが持っているとは気づいていなかった価値あるもの(注意力)です。
  3. a) Knowing where you were came naturally from paying close attention to your surroundingsBy-product は副次的な結果です。注意を払うことが主な活動で、自分の位置を把握することはそこから生まれました。
  4. d) He thinks it plausible but unproven, and warns against both overstating and dismissing the idea彼は、害がすでに証明されたと主張するのは「rash」、使わないスキルが無傷のままだと決めつけるのは「equally rash」だと述べています。
  5. b) With mocking impatience, as someone whose nostalgia is really a form of vanity「insufferable」や「merely vanity in walking boots」といった言葉は、書き手がこの人物を穏やかに、しかしはっきりとからかっていることを示しています。
  6. d) The particular quality of alertness that comes with uncertaintyその文は、子どもの注意深さに似た「particular quality of alertness」を説明し続けています。
  7. b) Planning a time for spontaneity risks spoiling the spontaneity彼はそれを、事前に招待されてしまって台無しになったサプライズパーティーにたとえています。予定外のことを計画すると、それが壊れてしまうように思えるのです。
  8. a) They have become hard to tell apart in his memory「Blurred」や「grey」は、これらの目的地が忘れられやすい1つの印象に溶け合ってしまったことを示し、鮮やかな地図なしの時間と対照的です。

単語と詳細

  1. c) unbearably annoyingInsufferable は、あまりにいらだたしく、周りがほとんど我慢できない人を表します。
  2. a) hasty and unwiseRash な主張とは、十分な考えや証拠なしになされた主張のことです。
  3. c) deprives survey knowledge of what it needs to developStarve は比喩的に使われています。2つ目の種類の知識は、成長に必要なものを与えられていません。
  4. b) deliberately arranged rather than naturalContrivance は人為的な取り決めのことです。書き手は、良い習慣はしばしばそのように始まると述べています。
  5. d) a record in which things are notedLedger は記録をつける帳簿です。ここでは、書き手が散歩の私的な記録をつけています。
  6. survey第3段落は、survey を、目印どうしが互いに関連づけられる頭の中の地図と定義しています。
  7. b) He does not miss the embarrassment but values what it gave us「Nobody laments the humiliation」は、彼がその恥ずかしさを懐かしんでいるわけではないことを示していますが、それが「quietly supplied」したものは評価しています。