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Pujian untuk jam tanpa peta
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Esai reflektif tentang aplikasi navigasi dan perhatian. Latih membaca untuk menangkap makna tersirat, sikap, dan nuansa makna.
In praise of the unmapped hour
It is a curious feature of our age that we have acquired the means never to be lost and have, in the process, mislaid something we did not know we owned. The small blue dot that trembles reassuringly on a phone screen has abolished the old, faintly humiliating ritual of turning a map upside down on a pavement. Nobody laments the humiliation. What deserves a little more thought is what the ritual quietly supplied.
To be lost, in the strict sense, is not merely to lack information; it is to be forced into attention. A traveller who cannot say where she is must notice where she is: the colour of the shutters, the gradient of the street, the smell of bread drifting from a doorway that may or may not belong to a bakery. Orientation, in other words, used to be a by-product of vigilance. Now that it has been outsourced, vigilance has been outsourced with it, and we move through unfamiliar cities with our eyes on a screen, arriving punctually and remembering nothing.
Researchers who study spatial memory distinguish between two ways of knowing a place. One is the route: a chain of instructions, turn left at the fountain, then right, then straight on. The other is the survey, a mental map in which landmarks relate to one another regardless of the path taken. Routes are cheap to follow and cheaper to forget; surveys are costly to build but durable. Turn-by-turn guidance, by design, delivers the first and starves the second. It would be rash to claim that this alone makes us worse navigators, since the evidence is still accumulating and people differ enormously, but it would be equally rash to assume that a skill we never exercise remains in perfect order.
I do not propose a return to paper. I have met the person who insists on paper, and he is generally insufferable, given to sighing at junctions and describing his own sense of direction as though it were a minor talent for the cello. Nostalgia of that sort is merely vanity in walking boots. My suggestion is of a different order: that once in a while, deliberately, we should switch the device off and permit ourselves an unmapped hour.
The rules are simple. Choose a district you do not know, and a time of day when nothing depends on punctuality. Walk without a destination, but not without a thread: follow the downhill streets, or the tramlines, or the sound of a market. When you are lost, and you will be, a little, which is the point, resist the reflex to consult. Ask a stranger, if you must. Strangers, it turns out, are the original navigation technology, and they come with commentary included.
What one gains is difficult to quantify, and I am wary of those who promise otherwise. Some of it is plainly practical: a place walked without assistance sticks in the mind in a way that a place followed does not. Some of it is harder to name. There is a particular quality of alertness that arrives about twenty minutes into genuine uncertainty, when the anxiety has burned off and curiosity has not yet given way to irritation. It is not quite pleasure. It resembles the attentiveness of a child, for whom every doorway is still a question.
Naturally, there is a paradox in all this, and I would be a poor essayist if I pretended not to see it. To schedule an hour of spontaneity is to defeat it, rather as a surprise party loses something once the guest of honour has seen the invitation. I can only reply that most worthwhile habits begin as contrivances. Nobody is born wanting to read before sleep, or to walk to work; we arrange the conditions and wait for the wanting to follow.
So I shall continue to carry the phone. It is, after all, extremely useful on the evenings when I am tired, late, and lost in the unromantic way. But I have begun to keep a little ledger of the unmapped hours, and I note, with some surprise, that I can still recall the streets of each of them, whereas the destinations I reached by blue dot have already blurred into a single, efficient grey.
Pahami teksnya
Baca teks dengan saksama. Pilih jawaban terbaik. Beberapa pertanyaan menanyakan apa yang tersirat dari tulisan penulis, bukan yang dinyatakan langsung.
- What is the writer's main purpose in the essay?
- In the first paragraph, "mislaid something we did not know we owned" suggests that
- What does "Orientation... used to be a by-product of vigilance" mean?
- What is the writer's position on whether navigation apps damage our sense of direction?
- How does the writer regard the person who "insists on paper"?
- In paragraph 6, what does "It" refer to in "It is not quite pleasure"?
- Why does the writer describe his proposal as containing a "paradox"?
- What does "a single, efficient grey" suggest about the places he reached by following the blue dot?
Kata dan detail
Pilih arti terbaik sesuai konteks, atau ketik kata yang hilang dari teks.
- In paragraph 4, "insufferable" most closely means
- In paragraph 3, "rash" means
- In paragraph 3, "starves the second" means that turn-by-turn guidance
- In paragraph 7, "contrivances" means things that are
- In paragraph 8, a "ledger" is
- In paragraph 3, the writer contrasts the route with the ___, a mental map in which landmarks relate to one another.
- Which comment best describes the writer's attitude to the old ritual of using a paper map in the street?
Kunci jawaban
Pahami teksnya
- a) To suggest, with some caution, that navigation technology has cost us a kind of attention, and to propose an occasional remedyPenulis mengemukakan kekhawatiran, menyampaikannya dengan hati-hati, dan menawarkan solusi sederhana (the unmapped hour). Ia secara tegas menolak kembali ke peta kertas dan tidak mengklaim adanya bukti ilmiah.
- c) we have lost a benefit without having noticed that we had itFrasa ini bersifat kiasan: yang hilang adalah sesuatu yang berharga (perhatian) yang tidak pernah kita sadari kita miliki.
- a) Knowing where you were came naturally from paying close attention to your surroundingsBy-product adalah hasil sampingan. Perhatian adalah kegiatan utamanya; mengetahui posisimu menyusul dari situ.
- d) He thinks it plausible but unproven, and warns against both overstating and dismissing the ideaIa menyebut "rash" mengklaim bahwa kerusakan sudah terbukti dan "equally rash" menganggap bahwa keterampilan yang tidak dipakai tetap utuh.
- b) With mocking impatience, as someone whose nostalgia is really a form of vanityKata-kata seperti "insufferable" dan "merely vanity in walking boots" menunjukkan bahwa penulis mengolok-olok orang ini, dengan halus tetapi jelas.
- d) The particular quality of alertness that comes with uncertaintyKalimat itu berlanjut menggambarkan "particular quality of alertness", yang mirip dengan kewaspadaan seorang anak.
- b) Planning a time for spontaneity risks spoiling the spontaneityIa membandingkannya dengan pesta kejutan yang rusak karena undangan yang diberikan lebih dulu: merencanakan hal yang tidak direncanakan seolah menghancurkannya.
- a) They have become hard to tell apart in his memory"Blurred" dan "grey" menyiratkan bahwa tempat-tempat tujuan itu menyatu menjadi satu kesan yang mudah dilupakan, berbeda dengan jam-jam tanpa peta yang hidup.
Kata dan detail
- c) unbearably annoyingInsufferable menggambarkan orang yang begitu menjengkelkan sehingga orang lain nyaris tidak tahan.
- a) hasty and unwiseRash claim adalah klaim yang dibuat tanpa pemikiran atau bukti yang cukup.
- c) deprives survey knowledge of what it needs to developStarve dipakai secara kiasan: jenis pengetahuan yang kedua tidak diberi apa yang dibutuhkannya untuk berkembang.
- b) deliberately arranged rather than naturalContrivance adalah pengaturan yang dibuat-buat; penulis mengatakan kebiasaan baik sering bermula dari situ.
- d) a record in which things are notedLedger adalah buku catatan; di sini penulis menyimpan catatan pribadi tentang jalan-jalan kakinya.
- surveyParagraf 3 mendefinisikan survey sebagai peta mental tempat penanda-penanda saling berhubungan.
- b) He does not miss the embarrassment but values what it gave us"Nobody laments the humiliation" menunjukkan bahwa ia tidak merindukan rasa malu itu, tetapi ia menghargai apa yang "quietly supplied".