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直したトースター以上のもの
名前:日付:
ボランティアによる修理イベントを取り上げ、物を直す以外にこうした集まりが何をもたらすのかを問う特集記事。
More than a mended toaster
On the first Saturday of every month, the parish hall in Ashby Quay smells of solder, tea and warm dust. Tables are pushed together under the strip lights, and at each one a volunteer is bent over somebody else's broken possession: a toaster that no longer pops, a lamp with a flickering temper, a cardigan whose elbow has finally surrendered. Nobody pays for the work, though a jar by the door collects coins for the kettle fund.
The idea behind such gatherings, usually known as repair cafés, began in the Netherlands in the late 2000s and has since been taken up in many countries. The format varies little. Visitors bring something that has stopped working; a volunteer, who may be a retired engineer, a seamstress or merely a stubborn amateur, examines it alongside the owner; and, whenever possible, the two of them mend it together. The insistence on "together" is deliberate. Organisers say they have no wish to run a free repair shop, which would invite people to treat the volunteers as a service rather than as neighbours.
Kiran Doshi, who spent thirty years as an electrician and now runs the Ashby Quay table, is unsentimental about the results. "About two in three things leave working," he says, a ratio that, he concedes, depends heavily on what is brought through the door. Simple faults, such as a loose wire or a worn belt, are quickly dealt with. Devices sealed with glue or unusual screws are another matter, and he is wary of promising anything about them. "We can often find out what's wrong," he says. "Whether anyone is allowed to put it right is a different question."
Environmental arguments are usually the first offered in favour of the movement, and they are not unreasonable: manufacturing a new appliance consumes materials and energy, so every year added to the life of an existing one is, in principle, a small saving. Yet the volunteers I spoke to were curiously reluctant to rest their case on this. Few could say with confidence how much waste their town had avoided, and several suspected that the figure, if anyone calculated it, would be modest. What they spoke about, with far greater animation, was something harder to measure.
"People arrive apologising," said Gwen Okafor, who mends clothes. "They say they're hopeless, that they've never been able to do anything with their hands. By the end of the afternoon they're holding the needle themselves." Some researchers who study such events suggest something similar: the sense of competence that a successful repair brings can outlast the repair itself, and, perhaps more surprisingly, the conversations that happen over the workbench often matter as much as the object on it. In a town where, by general admission, neighbours have grown used to nodding rather than talking, this counts for a good deal.
Not everything can be rescued, of course, and the hall's back table is piled with the casualties: a radio beyond saving, a vacuum cleaner whose motor has given out. But the owners of these, too, tend to leave in decent spirits, having at least understood what went wrong. It is a small consolation, perhaps, yet in an economy that encourages us to regard our possessions as disposable and our ignorance of them as normal, it is hardly a trivial one.
文章を理解しましょう
本文を読み、最も適切な答えを選びましょう。
- What is the main point of the article?
- Why do organisers insist that owner and volunteer mend things "together"?
- How would you describe Kiran Doshi's attitude to the results?
- What does "Whether anyone is allowed to put it right" imply?
- What does the writer suggest about the environmental case for repair cafés?
- In the fifth paragraph, "this" in "this counts for a good deal" refers to
- Why does the writer quote Gwen Okafor?
- What is the writer's attitude in the final paragraph?
語彙と詳細
最も適切な答えを選ぶか、本文から抜けている語を入力しましょう。
- "Unsentimental" describes someone who
- "Wary of" in the third paragraph means
- "Animation" in the fourth paragraph means
- "Casualties" in the final paragraph refers to the items that
- "Disposable" in the final paragraph describes possessions that we
- According to Kiran, about ___ in three things leave working.
- Repair cafés began in the ___.
- The repair café in Ashby Quay meets in the parish ___.
解答
文章を理解しましょう
- b) Repair cafés are more valuable for what they do for people than for the objects they mend.書き手は、ボランティアの最も強い論拠が、直した物の数ではなく、自信や会話に関するものだと示しています。
- d) They do not want volunteers to be treated simply as a service.主催者は無料の修理店を望んでいません。それではボランティアを「as a service rather than as neighbours」扱いすることになってしまうからです。
- a) Realistic and cautious彼は妥当な割合を示し、持ち込まれる物次第だと述べ、密閉された機器については何も約束しないよう慎重になっています。
- b) Some products are made in ways that discourage repair.接着剤や特殊なねじで密閉された機器は、一部の製品が設計の段階で修理しにくくなっていることを示しています。
- a) It is plausible, but the volunteers do not rely on it and the effect may be small.その論拠は「are not unreasonable」ですが、ボランティアはそれに頼りたがらず、その数字はおそらく「modest」でしょう。
- c) the contact and conversation at the workbench「This」は作業台を囲む会話のことで、隣人どうしがほとんど話さない町ではそれが大切です。
- b) To show how the events can build people's confidence彼女の言葉は、人々が自信なく来て、自分で針を使えるようになって帰っていくことを表しています。
- c) Quietly positive, because even a small gain has real value書き手は、何が悪かったのかを理解することを「a small consolation」でありながら「hardly a trivial one」と呼んでいます。
語彙と詳細
- a) is practical and not ruled by emotionUnsentimental は、感情的でなく実際的という意味です。
- b) careful aboutTo be wary of promising anything は、約束を守れないかもしれないので慎重になるということです。
- c) livelinessここでの animation は、話し方の活発さと活力を意味します。
- a) could not be repairedこの文脈での casualties は、救えなかった壊れた物のことです。
- b) treat as not worth keepingDisposable は、捨てるために作られた、またはそのように扱われるという意味です。
- two / 2Kiran は「About two in three things leave working」と言っています。
- netherlands / the netherlands / holland記事には、その発想は「began in the Netherlands in the late 2000s」とあります。
- hall最初の文は、イベントの場所を「the parish hall in Ashby Quay」としています。