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휴가의 매 시간을 계획하는 습관에 의문을 제기하며, 계획에 실제로 어떤 대가가 따르는지 묻는 칼럼입니다.
The tyranny of the perfect itinerary
Last summer I met a man on a ferry who had, by his own account, planned every hour of a ten-day trip to a coastal town. He showed me the spreadsheet. It had colour-coded columns for sights, meals and "buffer time", and a cell at the bottom, shaded green, that read "Spontaneity: Thursday afternoon". I laughed, and then I stopped laughing, because I recognised the impulse. I have drawn up versions of that spreadsheet myself.
We have become, it seems, a generation of optimisers, and nowhere is the habit more visible than in the way we travel. Reviews, rankings and maps that compress whole cities into a list of "must-sees" promise to spare us the risk of a wasted afternoon. Seldom do they pause to ask what a wasted afternoon might have been for. The wrong turning, the closed museum, the café chosen only because it was raining: these are not failures of planning but, very often, the raw material of the stories we later enjoy retelling.
Defenders of the carefully planned trip are quick to point out that time and money are finite, and they are right. Nobody should be condemned to a week of aimless queuing out of some romantic loyalty to chance. Were I to arrive in an unfamiliar city with a single day to spare, I would certainly want some guidance. My objection is not to preparation as such but to the assumption, rarely spoken yet widely shared, that a holiday is a product whose quality can be maximised, like the output of a factory.
The trouble with that assumption is that it quietly changes what we are doing. If the aim is to extract the greatest possible value from every hour, then every hour becomes a test, and we are bound to be found wanting. On another trip, the woman beside me spent the whole of a sunset adjusting her camera, and then complained that the photograph did not capture it. Had she simply looked, she might have felt less short-changed. Research on memory suggests, incidentally, that we judge a past experience largely by its most intense moment and its ending rather than by its average, which ought to make us wary of the idea that every moment must be equally rewarding.
None of this is an argument for chaos. The most contented travellers I know plan loosely: they fix the hard points, such as the train, the bed and the one concert they refuse to miss, and leave the rest deliberately slack. They treat the gaps not as dead time to be filled but as the part of the journey that belongs to them. It is a modest discipline, and perhaps a harder one than it sounds, since it asks us to tolerate the faint anxiety of not knowing what comes next.
As for the man on the ferry, I hope Thursday afternoon went well. I suspect, though, that the truest spontaneity of his trip occurred somewhere no cell could have predicted: in the minutes when the ferry was delayed and he, for once, had nothing scheduled to do about it.
글 이해하기
글을 읽고 가장 알맞은 답을 고르세요.
- Why does the writer begin with the story of the man on the ferry?
- What does "I recognised the impulse" suggest about the writer?
- In the second paragraph, "they" in "Seldom do they pause" refers to
- How does the writer treat those who defend planned trips?
- What is the writer's real objection?
- What does the story of the woman with the camera illustrate?
- According to the writer, how do contented travellers plan?
- What is the tone of the final paragraph?
어휘와 세부 내용
가장 알맞은 답을 고르거나, 글에서 빠진 단어를 입력하세요.
- "Compress" in the second paragraph means
- "Found wanting" in the fourth paragraph means judged to be
- "Short-changed" in the fourth paragraph suggests the woman felt
- "Wary" in the fourth paragraph means
- "Slack" in the fifth paragraph describes parts of the trip that are
- The man's trip was planned for ___ days.
- In the spreadsheet, the cell reading "Spontaneity" was shaded ___.
- "The raw material of the stories we later enjoy retelling" means that mistakes
정답
글 이해하기
- b) To introduce the theme of over-planning through a vivid example이 일화는 칼럼이 이어서 다룰 습관을 보여 주는 생생하고 약간 우스운 사례입니다. 글쓴이는 그 남자만 비웃는 것이 아닙니다. “I have drawn up versions of that spreadsheet myself”라고 합니다.
- c) The writer is amused but also shares the tendency.글쓴이는 웃다가 웃음을 멈추고, 자신도 비슷한 스프레드시트를 만든다고 인정합니다. 그러니 이런 경향은 모두가 공유하는 것입니다.
- b) reviews, rankings and maps앞 문장의 주어는 “reviews, rankings and maps”이며, 그 질문을 던지지 못하는 것은 바로 이들입니다.
- a) As people whose main point has some truth in it글쓴이는 시간과 돈이 한정되어 있고 낯선 도시에서는 길잡이가 필요하다는 그들의 말이 옳다고 합니다. 의견 차이는 그보다 더 좁은 부분입니다.
- d) People treat a holiday as a product to be maximised.글쓴이는 반대하는 것이 “not to preparation as such but to the assumption”, 즉 준비 자체가 아니라 휴가가 품질을 극대화할 수 있는 상품이라는 가정이라고 말합니다.
- b) Chasing a perfect record can spoil the experience itself.그녀는 일몰 내내 카메라를 조정하다가 사진이 기대에 못 미친다고 느꼈습니다. 글쓴이는 그냥 바라보기만 했더라면 더 행복했을 것이라고 말합니다.
- a) They fix the essentials and leave the rest open.그들은 “plan loosely”, 즉 꼭 필요한 지점만 정하고 나머지는 “deliberately slack”(일부러 느슨하게) 남겨 둡니다.
- b) gently ironic and affectionate글쓴이는 그 남자가 목요일 오후를 즐겼기를 바라지만, 가장 좋은 순간은 계획에 없던 지연에서 나왔다고 넌지시 말합니다. 친절하고 은근히 유머러스한 어조입니다.
어휘와 세부 내용
- a) to make something fit into less spaceTo compress whole cities into a list는 도시 전체를 짧은 요약으로 줄여 버린다는 뜻입니다.
- b) not good enoughTo be found wanting은 부족하다고 평가받는다는 뜻입니다. 모든 시간이 시험이 되면 우리는 그 시험에서 실패한다고 느낍니다.
- c) cheated of something she expectedShort-changed는 마땅히 받아야 하거나 기대한 것보다 적게 받는다는 뜻으로, 그녀가 자신의 사진에 대해 그렇게 느꼈습니다.
- c) careful and doubtfulTo be wary of an idea는 그 생각을 받아들이는 데 조심스럽다는 뜻입니다.
- b) left free and loosely arranged“Deliberately slack”은 일부러 비워 둔 틈을 묘사합니다.
- ten / 10첫 문장에서 여행이 “ten days”(열흘) 동안 이어졌다고 말합니다.
- green맨 아래 칸은 “shaded green”(초록색으로 칠해져) 있었습니다.
- b) can become the basis of good memoriesRaw material은 무언가를 만드는 재료입니다. 길을 잘못 든 일이 나중에 이야기의 소재를 제공합니다.