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La tiranía del itinerario perfecto

Nombre:Fecha:

Una columna de opinión que cuestiona el hábito de planificar cada hora de las vacaciones y se pregunta qué nos cuesta realmente planificar.

The tyranny of the perfect itinerary

Last summer I met a man on a ferry who had, by his own account, planned every hour of a ten-day trip to a coastal town. He showed me the spreadsheet. It had colour-coded columns for sights, meals and "buffer time", and a cell at the bottom, shaded green, that read "Spontaneity: Thursday afternoon". I laughed, and then I stopped laughing, because I recognised the impulse. I have drawn up versions of that spreadsheet myself.

We have become, it seems, a generation of optimisers, and nowhere is the habit more visible than in the way we travel. Reviews, rankings and maps that compress whole cities into a list of "must-sees" promise to spare us the risk of a wasted afternoon. Seldom do they pause to ask what a wasted afternoon might have been for. The wrong turning, the closed museum, the café chosen only because it was raining: these are not failures of planning but, very often, the raw material of the stories we later enjoy retelling.

Defenders of the carefully planned trip are quick to point out that time and money are finite, and they are right. Nobody should be condemned to a week of aimless queuing out of some romantic loyalty to chance. Were I to arrive in an unfamiliar city with a single day to spare, I would certainly want some guidance. My objection is not to preparation as such but to the assumption, rarely spoken yet widely shared, that a holiday is a product whose quality can be maximised, like the output of a factory.

The trouble with that assumption is that it quietly changes what we are doing. If the aim is to extract the greatest possible value from every hour, then every hour becomes a test, and we are bound to be found wanting. On another trip, the woman beside me spent the whole of a sunset adjusting her camera, and then complained that the photograph did not capture it. Had she simply looked, she might have felt less short-changed. Research on memory suggests, incidentally, that we judge a past experience largely by its most intense moment and its ending rather than by its average, which ought to make us wary of the idea that every moment must be equally rewarding.

None of this is an argument for chaos. The most contented travellers I know plan loosely: they fix the hard points, such as the train, the bed and the one concert they refuse to miss, and leave the rest deliberately slack. They treat the gaps not as dead time to be filled but as the part of the journey that belongs to them. It is a modest discipline, and perhaps a harder one than it sounds, since it asks us to tolerate the faint anxiety of not knowing what comes next.

As for the man on the ferry, I hope Thursday afternoon went well. I suspect, though, that the truest spontaneity of his trip occurred somewhere no cell could have predicted: in the minutes when the ferry was delayed and he, for once, had nothing scheduled to do about it.

Comprende el texto

Lee el texto. Elige la mejor respuesta.

  1. Why does the writer begin with the story of the man on the ferry?
    • a) To criticise a stranger for being foolish
    • b) To introduce the theme of over-planning through a vivid example
    • c) To explain how to build a useful spreadsheet
    • d) To show that ferries are the best way to travel
  2. What does "I recognised the impulse" suggest about the writer?
    • a) The writer has met the man before.
    • b) The writer admires people who plan carefully.
    • c) The writer is amused but also shares the tendency.
    • d) The writer thinks the spreadsheet was well designed.
  3. In the second paragraph, "they" in "Seldom do they pause" refers to
    • a) the people who travel
    • b) reviews, rankings and maps
    • c) the wrong turnings and closed museums
    • d) the writer's friends
  4. How does the writer treat those who defend planned trips?
    • a) As people whose main point has some truth in it
    • b) As people who misunderstand what travel means
    • c) As people who are afraid of risk
    • d) As people whose opinions are not worth considering
  5. What is the writer's real objection?
    • a) People spend too much money on holidays.
    • b) Guidebooks are often inaccurate.
    • c) Travellers should never prepare in advance.
    • d) People treat a holiday as a product to be maximised.
  6. What does the story of the woman with the camera illustrate?
    • a) Photographs are always disappointing.
    • b) Chasing a perfect record can spoil the experience itself.
    • c) Sunsets are overrated.
    • d) Travellers should buy better equipment.
  7. According to the writer, how do contented travellers plan?
    • a) They fix the essentials and leave the rest open.
    • b) They avoid making any bookings.
    • c) They plan every hour but change it often.
    • d) They let other people decide.
  8. What is the tone of the final paragraph?
    • a) bitter and critical
    • b) gently ironic and affectionate
    • c) nervous and uncertain
    • d) formal and detached

Vocabulario y detalles

Elige la mejor respuesta o escribe la palabra o las palabras que faltan del texto.

  1. "Compress" in the second paragraph means
    • a) to make something fit into less space
    • b) to explain in great detail
    • c) to make more expensive
    • d) to separate into parts
  2. "Found wanting" in the fourth paragraph means judged to be
    • a) too expensive
    • b) not good enough
    • c) unusually lucky
    • d) fully satisfied
  3. "Short-changed" in the fourth paragraph suggests the woman felt
    • a) rushed
    • b) embarrassed
    • c) cheated of something she expected
    • d) relieved
  4. "Wary" in the fourth paragraph means
    • a) curious
    • b) confident
    • c) careful and doubtful
    • d) pleased
  5. "Slack" in the fifth paragraph describes parts of the trip that are
    • a) badly organised
    • b) left free and loosely arranged
    • c) carefully timed
    • d) too expensive
  6. The man's trip was planned for ___ days.
  7. In the spreadsheet, the cell reading "Spontaneity" was shaded ___.
  8. "The raw material of the stories we later enjoy retelling" means that mistakes
    • a) are always funny
    • b) can become the basis of good memories
    • c) should be edited out
    • d) usually spoil a trip

Respuestas

Comprende el texto

  1. b) To introduce the theme of over-planning through a vivid exampleLa anécdota es un ejemplo vivo y algo cómico del hábito que la columna pasa a analizar. El autor no se burla solo del hombre: "I have drawn up versions of that spreadsheet myself".
  2. c) The writer is amused but also shares the tendency.El autor se ríe, luego deja de reírse y admite haber hecho hojas de cálculo parecidas, así que la tendencia es compartida.
  3. b) reviews, rankings and mapsEl sujeto de la frase anterior es "reviews, rankings and maps", y son ellos los que no plantean la pregunta.
  4. a) As people whose main point has some truth in itEl autor dice que tienen razón en que el tiempo y el dinero son finitos y que él también querría orientación en una ciudad desconocida. El desacuerdo es más limitado.
  5. d) People treat a holiday as a product to be maximised.El autor dice que su objeción es "not to preparation as such but to the assumption" de que unas vacaciones son un producto cuya calidad se puede maximizar.
  6. b) Chasing a perfect record can spoil the experience itself.Ella pasó el atardecer ajustando la cámara, luego sintió que la fotografía se quedaba corta; el autor sugiere que simplemente mirar la habría dejado más feliz.
  7. a) They fix the essentials and leave the rest open."Plan loosely": fijan los puntos difíciles y dejan el resto "deliberately slack".
  8. b) gently ironic and affectionateEl autor espera que el hombre disfrutara del jueves por la tarde, pero sugiere que el mejor momento vino del retraso imprevisto. Es un tono amable y de humor suave.

Vocabulario y detalles

  1. a) to make something fit into less spaceComprimir ciudades enteras en una lista es reducirlas a un resumen breve.
  2. b) not good enoughBe found wanting es ser juzgado insuficiente. Cuando cada hora es una prueba, sentimos que la suspendemos.
  3. c) cheated of something she expectedShort-changed significa recibir menos de lo que mereces o esperas, como se sintió ella con su fotografía.
  4. c) careful and doubtfulSer wary de una idea es tener cuidado a la hora de aceptarla.
  5. b) left free and loosely arranged"Deliberately slack" describe huecos que se dejan abiertos a propósito.
  6. ten / 10La primera frase dice que el viaje duró "ten days".
  7. greenLa celda de abajo estaba "shaded green".
  8. b) can become the basis of good memoriesLa materia prima es aquello de lo que algo está hecho: los desvíos equivocados proporcionan el material de historias posteriores.