Joy English · Level C2 · Seni dan mediajoy-english.com
Wawancara dengan seorang novelis tentang buku keduanya
Nama:Tanggal:
Seorang pewawancara radio bertanya kepada seorang novelis yang buku pertamanya sukses mengejutkan, dan jawaban datarnya mengungkap lebih banyak daripada yang ia katakan terang-terangan.
Audio dan pemeriksaan jawaban: https://joy-english.com/id/listening/novelist-second-book-interview
Sikap dan makna tersirat
Simak rekaman tersebut. Pilih jawaban yang paling tepat. Pikirkan apa yang tersirat selain apa yang dikatakan.
- What is the main purpose of the interview?
- What does Desmond imply by "Thrilled is a strong word, but I'm certainly awake"?
- How does he feel about critics who compare the two books?
- Why does he say writing the first book could not be repeated?
- What is the "small committee" he mentions?
- Why did he set the new novel in a mountain observatory?
- What does his remark about printing a bad review on a cushion suggest?
- What is his attitude to a third book?
Detail penting
Simak lagi. Ketik satu kata atau angka dari rekaman untuk melengkapi setiap kalimat.
- He wrote his first novel in a rented room above a ___.
- The imagined committee had opinions about ___.
- He spent ___ months arguing with people who did not exist.
- The title of the new book arrived in a ___.
- For most of the process the working title was Book ___.
- A reviewer described his prose as tastefully ___.
Kunci jawaban
Sikap dan makna tersirat
- c) To discuss the new book and how success has affected the writerHannah bertanya tentang buku baru itu, perbandingan dengan buku pertama, dan bagaimana kesuksesan mengubah tulisannya.
- b) He is tired and not especially enthusiasticIa menolak kata "thrilled" dan hanya mengatakan bahwa ia terjaga, yang menunjukkan kelelahan, bukan antusiasme.
- c) Wryly amused, since they judge a book they have not readIa mengatakan, dengan ironis, bahwa ia mengagumi "stamina" mereka dalam membandingkan buku yang belum mereka baca dengan buku yang dibaca bertahun-tahun lalu; ini ejekan datar, bukan tersinggung ("Not at all").
- b) He wrote it with no expectationsIa menyebut menulis tanpa ekspektasi sebagai keadaan yang hanya bisa dialami sekali.
- d) Imagined readers whose opinions he argued withIa mengatakan ia menghabiskan berbulan-bulan berdebat dengan orang-orang yang tidak ada.
- a) To escape the label of a writer of the seaIa tidak tahan disebut penulis tentang laut, jadi ia pergi sejauh mungkin dari air.
- c) He jokes about a criticism that clearly stayed with himIa mengingat kata-katanya dengan tepat, jadi leluconnya menyembunyikan betapa komentar itu memengaruhinya.
- d) He neither agrees nor refuses, and leaves it openIa mengatakan editornya yakin akan ada buku kedua, dan menyuruh bertanya lagi setelah ia tidur.
Detail penting
- bakeryIa mengatakan ruangan itu berada di atas sebuah toko roti.
- adverbsIa mengatakan mereka semua punya pendapat tentang adverb.
- eight / 8Ia mengatakan delapan bulan.
- taxi / cabIa mengatakan judulnya datang di dalam taksi.
- two / 2Judul sementaranya adalah Book Two.
- emptyUlasan itu menyebut prosanya kosong dengan cita rasa yang baik.
Transkrip
Hannah: My guest today is Desmond Calloway, whose first novel, The Salt Road, sold more copies than anyone expected, including, I gather, the publisher. Desmond, thank you for coming. Your second book is out next month, and I'm sure you're thrilled.
Desmond: Thrilled is a strong word, but I'm certainly awake, which at this stage of a book tour is an achievement. It's a pleasure to be here.
Hannah: Critics have already been comparing the new book with The Salt Road. Does that bother you?
Desmond: Not at all. I've learned to admire the stamina of people who compare a book they haven't read with one they read years ago. It must be exhausting. If I'm honest, I wrote the second one largely to find out whether I could. The first, as you know, was written in a rented room above a bakery, with no expectations whatsoever, and that is a condition one can only experience once.
Hannah: So the success changed how you write?
Desmond: It changed who I imagined was reading over my shoulder. For the first book, nobody was. For the second, there was a small committee, and, rather unhelpfully, they all had opinions about adverbs. I spent eight months arguing with people who didn't exist, and I lost most of the arguments.
Hannah: The new book is set in a mountain observatory. Was that a conscious move away from the coast?
Desmond: Conscious is generous. I'd been told that I was a writer of the sea, and I found I couldn't bear the label, so I went as far from water as I could manage. Whether that is courage or sulking, I'll leave to the reviewers, who will no doubt tell me anyway.
Hannah: Do you read your reviews?
Desmond: I read the good ones twice and the bad ones once, which is, I believe, the only sensible policy. Although I confess that the one bad review I remember word for word described my prose as tastefully empty. I considered having it printed on a cushion.
Hannah: You've said before that the title came last. Was that true for this book too?
Desmond: The title arrived in a taxi, three days before the deadline, courtesy of a stranger's telephone conversation, and I have never been so grateful to anyone I will never meet. For most of the process the working title was Book Two, which tells you how confident I was.
Hannah: What do you do when the writing stops going well?
Desmond: I tidy. My flat has never been so clean as during the second book. If you ever want evidence of a troubled manuscript, inspect the skirting boards.
Hannah: People say the first novel is largely autobiographical.
Desmond: People say a great many things. The narrator has my height and my fear of ferries, and everything else I invented, mostly out of spite.
Hannah: And will there be a third book?
Desmond: My editor believes so, and she's usually right, which is one of her more tiresome qualities. Ask me again after I've slept.
Hannah: We'll hold you to that. Desmond Calloway, thank you.