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محاضرة عمّا تُغفله الخرائط
الاسم:التاريخ:
يرى محاضِر جامعي أن كل خريطة مجموعة من الخيارات، وأن المساحات الفارغة تخبرنا بقدر ما تخبرنا الخطوط المرسومة.
الصوت وتصحيح الإجابات: https://joy-english.com/ar/listening/cartography-silent-maps-lecture
الحجة والموقف والمضمون الضمني
استمع إلى التسجيل. اختر أفضل إجابة. فكّر فيما هو ضمني بقدر ما هو مصرَّح به.
- What is the lecturer's central claim?
- Why did eighteenth-century chart makers draw particular rocks?
- What does the story of Mr Pellham suggest about the marshes?
- According to the lecturer, what separates a silence from a simplification?
- How does the lecturer respond to the objection about scale?
- Why does he mention the navigation application and the narrow lane?
- What is the lecturer's attitude to the student's word "lie"?
- What practical advice does he give for reading a map?
التفاصيل الرئيسية
استمع مرة أخرى. اكتب كلمة واحدة أو رقمًا واحدًا من التسجيل لإكمال كل جملة.
- Mr Pellham spent ___ summers measuring the sandbanks.
- The lecturer jokes that a map as large as the territory would be ___.
- By an algorithm, the narrow lane was promoted from an afterthought to a ___.
- The residents of the lane were ___ to find it crowded with lorries.
- A map is described as evidence from a witness with an ___.
مفتاح الإجابات
الحجة والموقف والمضمون الضمني
- c) Maps reflect choices about what is worth recordingيقول إن الخريطة قرار بشأن ما يستحق أن يُتذكَّر، لا نافذة على العالم.
- b) They were the rocks that had wrecked shipsيقول إنهم رسموا الصخور التي أغرقت السفن، فالخريطة تسجل المصائب.
- c) They did not interest the people paying for the surveyكانت معروفة محليًا لكنها لم تدرّ مالًا على رعاته، فهي على الورق غير موجودة.
- a) A silence can never be put right because the information was never gatheredيمكن عكس التبسيط بورقة أكبر؛ أما الصمت فلا، لأن أحدًا لم يجمع التفاصيل.
- b) He accepts it only in partيقول إنه يقبلها "up to a point" ثم يقيم تمييزًا آخر.
- c) To show that what a map includes can have real effects on people who were not consultedصار الزقاق طريقًا مختصرًا بسبب قرار اتُّخذ في مكان آخر، ولم يُسأل سكانه.
- a) He thinks it is too strong, because most selection is not intended to deceiveيتحفّظ على الكلمة لأن الكذب يتطلب نية الخداع، ومعظم الانتقاء ينشأ عن العادة أو الراحة.
- d) Ask who made it, for whom, and what is missingيوصي بأن تسأل من صنع الخريطة، ولمن، وماذا كان سيخسر لو أدرج الشيء الغائب.
التفاصيل الرئيسية
- three / 3يقول المحاضِر إنه أمضى ثلاثة فصول صيف على الحواجز الرملية.
- uselessالنكتة القديمة أن خريطة كهذه ستكون عديمة الفائدة.
- shortcut / short cutيقول المحاضِر إنه ترقّى من فكرة لاحقة إلى طريق مختصر.
- bemusedيقول إنهم كانوا مندهشين من الازدحام المفاجئ.
- interestيختم بوصف الخريطة بأنها دليل جيد من شاهد له مصلحة.
النص المكتوب
Professor Lindqvist: Good morning. Last week I suggested that every map is an argument, and several of you looked at me as though I had said something faintly indecent. So let me defend the claim. A map is not a window onto the world; it is a decision about what deserves to be remembered. Consider the humble coastal chart of the eighteenth century. Its makers did not draw rocks because rocks exist. They drew the rocks that had sunk ships, which is to say they drew a history of misfortune and called it geography.
Professor Lindqvist: Now, the interesting part is what these charts leave blank. A white space on a map is rarely an absence of knowledge. More often it is an absence of interest. The surveyor of a certain northern estuary, whom I shall call Mr Pellham, spent three summers measuring its sandbanks, and then, quite deliberately, drew the inland marshes as a pale, featureless wash. The marshes were well known to every local fisherman. They simply earned no money for his patrons, and so, on paper, they were not there.
Professor Lindqvist: You might object that this is merely a matter of scale. A map as large as the territory would be useless, as the old joke goes, and omission is the price of usefulness. I accept that, up to a point. But there is a difference between a simplification and a silence, and critical cartography begins with learning to tell them apart. A simplification can be reversed: give me a larger sheet and I will add the detail. A silence cannot, because nobody ever collected the detail in the first place.
Professor Lindqvist: Let me offer a modern parallel, since I'm told that anything older than a decade strikes you as antique. Navigation applications now choose routes for millions of drivers, and they quietly favour wide, fast roads. Residents of a narrow lane in a hill town I visited were bemused to find their street suddenly crowded with lorries. Nothing had changed on the ground. The lane had merely been promoted, by an algorithm, from an afterthought to a shortcut, and nobody had asked those who lived there whether they wished to be a shortcut.
Student: Professor, doesn't that make every map a kind of lie? If it's all selection, how can we trust any of them?
Professor Lindqvist: A fair question, though I would resist the word lie. A lie requires an intention to deceive, whereas most selection is made out of habit, convenience, or the wishes of whoever is paying. The remedy is not distrust but literacy. Ask who made the map, for whom, and what they would have lost by including the thing that is missing. Do that, and a map stops being a verdict and becomes what it always was: a very good piece of evidence, from a witness with an interest. And be wary of any map that looks perfectly confident.